Books
A Critical Phenomenology of Music
Disclosing/Transposing the Habitual Body Schema. Palgrave Macmillan, 2025. https://doi-org.proxy1.lib.uwo.ca/10.1007/978-3-031-92111-7
Journal Articles
“Sharing Time with Misfits: We-Experience Across Bodily Difference” Puncta: Journal of Critical Phenomenology. https://doi.org/10.61372/PJCP.v7i1.6
“Intercorporeality Online: Anchoring in Sound.” Continental Philosophy Review. 56.4. 2023: 639-657. https://doi.org/10.1007/s11007-023-09615-1
“Musical Introspection and the Affective Group-en-Fusion: Existential Reckoning with the Political and Climate Crises.” American Music Review. Vol. 2.2. 2021/2023: 158 – 170. https://doi.org/10.5325/ampamermusipers.2.2.0158
“Sharing Time in We-Experiences: A Critical Merleau-Pontian Re-Reading of Schütz’s Tuning-In Relationship” Puncta: Journal of Critical Phenomenology. Vol. 5.5. 2022: 1 – 22. https://doi.org/10.5399/pjcp.v5i5.1
“Suspending the Habit Body through Immersive Resonance: Hesitation and Constitutive Duet in Jen Reimer and Max Stein’s Site-Specific Improvisation.” Critical Studies in Improvisation/Études critiques en improvisation. Vol. 12 (2). 2018. https://doi.org/10.21083/csieci.v12i2.4096
“The Significance of Meaningless Gestures in Derrida and Husserl.” Glimpse. Vol. 17. 2016: 20 – 26. https://doi.org/10.5840/glimpse2016173
Rachel Catherine Elliott 